The term "folk rock" refers to the blending of elements of folk music and rock music, which arose in the 🔔 U.S. and UK in the mid-1960s.[2] The genre was pioneered by the Byrds, who began playing traditional folk music and 🔔 songs by Bob Dylan with rock instrumentation, in a style heavily influenced by the Beatles and other British Invasion bands.[4][5] 🔔 The term "folk rock" was initially coined by the U.S. music press to describe the Byrds' music in June 1965, 🔔 the month in which the band's debut album was issued.[6][7] Dylan also contributed to the creation of the genre, with 🔔 his recordings utilizing rock instrumentation on the albums Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde.[8]

The 🔔 American folk-music revival began during the 1940s; building on the interest in protest folk singers such as Woody Guthrie and 🔔 Pete Seeger, it reached a peak in popularity in the mid-1960s with artists such as Bob Dylan and Joan Baez.[10][11] 🔔 In 1948, Seeger formed the Weavers, whose mainstream popularity set the stage for the folk revival of the 1950s and 🔔 early 1960s and also served to bridge the gap between folk, popular music, and topical song.[12] The Weavers' sound and 🔔 repertoire of traditional folk material and topical songs directly inspired the Kingston Trio, a three-piece folk group who came to 🔔 prominence in 1958 with their hit recording of "Tom Dooley".[12][13] The Kingston Trio provided the template for a flood of 🔔 "collegiate folk" groups between 1958 and 1962.[14][15]

The vast majority of the urban folk revivalists shared a disdain for the values 🔔 of mainstream American mass culture[21] and led many folk singers to begin composing their own "protest" material.[22][23] The influence of 🔔 this folk-protest movement would later manifest itself in the sociopolitical lyrics and mildly anti-establishment sentiments of many folk rock songs, 🔔 including hit singles such as "Eve of Destruction", "Like a Rolling Stone", "For What It's Worth", and "Let's Live for 🔔 Today".

Other precursors [ edit ]

Much of the early folk-rock music emerged during a time of general global upheaval, the Vietnam 🔔 War, and new concerns for the world by young people. In the United States, the heyday of folk rock was 🔔 arguably between the mid-sixties and the mid-seventies, when it aligned itself with the hippie movement and became an important medium 🔔 for expressing radical ideas. Cities such as San Francisco, Denver, New York City and Phoenix became centers for the folk 🔔 rock culture, playing on their central locations among the original folk circuits. The "unplugged" and simplified sound of the music 🔔 reflected the genre's connection to a critical view of a technological and consumerist society. Unlike pop music's escapist lyrics, arguably 🔔 a fantasy distraction from the problems in life, folk artists attempted to communicate concerns for peace, global awareness, and other 🔔 touchstones of the era. Bands whose music was significantly folk rock in sound during the mid-to-late 1960s included Donovan, the 🔔 Lovin' Spoonful, the Mamas & the Papas, the Youngbloods, Love, and, in their early years, Jefferson Airplane.

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